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| FEBRUARY - MARCH 2001 | |
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Paivi Hintsanen's
The Book of Days. The Book of Days asks questions about time and origin, and about living now in this time. The sense of history is around us but we can't see it close enough; the world is full of places we haven't visited, cultures we haven't met but which we have learned from schools, books and media. This is richness but also a loss; when nearly everything is somewhat available, the endless information flow turns out to be just scratches on the surface. Knowledge and information are changing into confusion: 2000. Finland. |
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Agricola de Cologne's
A Virtual Memorial. A memorial project against the forgetting of the holocaust and for humanity. A collaborative project. 2000. Germany. |
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Bob Barancik's Saved By Wallenberg. This video combines dramatic testimony by a survivor of the Budapest Ghetto with archival photos of the last days of Nazi terror. It honors the memory of Raoul Wallenberg, Swedish diplomat and humanitarian, who saved over 100,000 Hungarian Jews from the Holocaust. 2000. United States. |
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Nanette Wylde's
Arrested. Arrested is a play on preconceptions regarding social, ethnic, religious, and political affiliations. 1997. United States. |
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Todd Margolis's
LOCKUP. A VR experience that explores the processes of decision-making, fate & synchronicity. 2000. United States. |
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Lou Anne Colodny's
Changing. Both humorous and haunting, this video explores transformation and metamorphosis. 2000. United States. |
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Reiner Strasser's the shrIne. An interactive flash piece created with material by Alan Sondheim (text, original pictures) and Annie Abrahams (sound). Alan: "We burrow through the visible, you can almost reach out and touch us; we are carried forth among the dead and wounded; our last chance at the steps of the shrine; we're burning within." Virtually un_fold the shrIne. 2000. Germany. |
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Reiner Strasser's vib~ratio~n. Created for Bill Marsh's "D2K" project at sunbrella in collaboration with Bill and Octavia Davis. Based on photographs (Bill) and sound mixes (Bill and Octavia) of the D2K demonstration in Los Angeles, the experience of/in time is strengthened/cumulated by interacting with simultaneously re-combinable layers/events. 2000. Germany. |
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Lena Marie Stuart & Jean-Yves Theriault's The Trial/Le Process. The colaborative Faux Pas uses art and technology to examine the concerns, ideas and attitudes of contemporary culture. The Trial/Le Process is a multimedia collage of dance-theatre, music and video that examines a womanís subconscious struggle with pregnancy through her surreal dream. 2000. Canada. |
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Marianne R. Petit's i carry your heart with me.
Based on the poem by e.e. cummings by the same name, this three minute animation is set to Teodoro Anzellotti's accordion recording of Erik Satie's Gnossienne No. 3. 2000. United States. |