Wigged Productions: Globalization

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AUGUST - SEPTEMBER 2000
	Humberto Ramirez's Pool. Pool explores the intersection of memory, values and beliefs in the construction of identity. 2000.
	Xtine Burrough's It's Make Up, It's Fiction. Makeup, made up--the application of fiction to the body. This piece is a combination of appropriated imagery and spoken word that explores the needs of individuals in our society to create a personal fiction and how the media further manipulates and prolongs one's need for a fictional retreat. 1999.
	Peter Schmideg's Taping...Tapping Her Zeitgeist. B-Movie diva Debbie Rochon sitting on a stool beckons Brother Low-Rez, who is taping her, with suggestive laughter, drawing him inside her image. We catch glimpses of Brother Low-Rez in a mirror behind Debbie, brandishing his primitive consumer level Sharp camcorder. For him the magic of streaming video comes down to raw intimacy. Tweaking feminine image in video window amidst beaming computer screen framed by monitor. Brother Low-Rez taping...tapping Debbie Rochon's B-Movie diva Zeitgeist, honing it just so. 1999.
	Christine Baczewska's At A Loss for Words. An excerpt from Christine's "Tribe of One" CD. 1990.
	Seth Thompson's Everything I Ever Wanted to Know about Investing, I Learned in Las Vegas. A satirical look at day trading and the state of investing in today's market. This piece looks at the similarities between Wall Street and Las Vegas. 1999.
	Xtine Burrough's Still Here(flesh machine). Flesh machine, the concept, the phrase and the two words separately are extremely popular these days. Flesh machine is everywhere. Flesh machine is still here. This sound and text piece will take about six minutes to download on a 56K modem. 2000.
	Stv Jns's Paradigm Shift. A poetical re-telling of personal experiences by the author that triggered a evolutionary transformative process upon his world view or "paradigm". The animated descriptions are simple and clear representations of the events, presented in a poetical interface designed to subliminally create associations that trigger transformative expansion processes in the consciousness of the viewer. 1999.